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| Item Code: | AZE080 |
| Author: | Manashi Sharma |
| Publisher: | VIDYANIDHI PRAKASHAN, DELHI |
| Language: | ENGLISH |
| Edition: | 2011 |
| ISBN: | 9789380651293 |
| Pages: | 224 |
| Cover: | HARDCOVER |
| Weight | 400 gm |
About the Book As indicated by its very name namely the book contains a critical study of Murari’s play Anargharaghavam which is an adaption of the five Kandas of Rmyaa except the first and last ones. The book has five chapters wherein, study of the contents of the drama is made in different perspectives as well as in comparative lines. Thus, an attempt is made to assess it in view of prerequisites of Sanskrit Dramaturgy and analyze Treatment of Rasa, Metre, Alamkara, Kavyagua, Kavyadosa, linguistic peculiarities etc. in the drama. Murari’s knowledge in Indian Philosophy, Smrtis, Sanskrit grammar revealed in the drama has also been explored.
About the Author Ms. Manashi Sharma is an Asst. Professor at the Department of Sanskrit, M.D.K.Girls’ College, Dibrugarh, Assam. Having good academic carrier, she graduated with honours in Sanskrit in 1985 from Dibrugarh University and obtained her Master’s Degree in 1989 from Gauhati University securing 1st class 1st position. She was the recipient of four gold medals in her Post Graduate Studies, which itself reflects the writer’s academic excellence. Thereafter for the initial ten years she devoted herself to her duties as a homemaker pursuing her Research work along with. She was awarded Ph.D. Degree in 1998 from Gauhati University.
Ms. Sharma has contribution in the academic field with some original papers and presentations in Seminars and publication of research articles in reputed journals. Apart from academics, she is also connected with a number of socio-cultural organizations and NGO’s.
Preface I had the privilege of studying the classics of celebrated Sanskrit dramatists like Kalidasa, Bhaanryaa and Visakhadatta during the days of my graduate and post graduate studies. Since then, there developed in me a keen interest for studying Sanskrit dramatic literature more seriously and intensively and it was for this reason that I came up to take up this special study in respect of Anargharaghavam of Murari, which is based on the great epic Rmyaa.
There can be no denying the fact that that Anargharaghavam as a drama is neither very popular nor considered to be of high order. However, Murari’s singularity in respect of literary technique, language and style, his erudition reflected in this piece of composition deserves special study. Moreover, the well-known epic story which has been dramatized by Murari demands examination in various aspects.
In this book, divided into five chapters, study of the contents of the drama is made in different perspectives as well as in critical and comparative line. In the first chapter, a general introduction on Sanskrit dramatic literature followed by discussion on the position of Anargharaghavam in dramatic literature, its author and probable date of composition is given. An analytical study is made on the source of the plot as well as extent of deviation made by Murari from the original. Influence of his predecessor, particularly of Bhavabhati is observed in this solitary dramatic composition of Murari.
**Contents and Sample Pages**
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