| Item Code: | NAJ098 |
| Author: | Dr. K.V.L.N. Suvarchala Devi |
| Publisher: | Tirumala Tirupati Devasthanams, Tirupati |
| Language: | English |
| Edition: | 2002 |
| Pages: | 302 (62 B/W and Color Illustrations) |
| Cover: | Paperback |
| Other Details | 9.5 inch x 7.0 inch |
| Weight | 500 gm |
About the Author
Dr. Suvarchala Suresh, the author, is an artiste of Andhranatyam tradition. In her early age, she received training in dance from Smt. Saride Manikyamma, at Nritya Kala Nilayam, Jadcharla, Dist. Mahabubnagar. She gave dance performances at various places in Andhrapradesh on many occasions.
Later, she became a disciple of Padmasri Dr. Nataraja Ramakrishna, under whose scholarly guidance she completed her Master’s Degree in Performing Arts (Dance) in 1991 as well as successfully carried out her research work on “Andhranatyam – The Lasya Dance Tradition of Andhras” and received her Doctorate Degree from the University of Hyderabad in 1997.
Dr. Suvarchala has conducted several seminars and Dance demonstrations for the children interested in the Indian classical dance and running a dance institution: Abhinaya Akademy of Andhranatyam.
She also actively participated in the Andhranatyam seminar at Vijayawada and the National Seminar on Andhranatyam at Hyderabad held in July and September 1994 respectively.
Her articles on Dance art have been published in various literary magazines like Rasamayi, Musi and Quarterly Telugu Magzine – NRIs’ special Edition from Telugu Akademy, Hyderabad.
She planning to bring new dimensions to the Dance Art with the help of Padmasri Dr. Nataraja Ramakrishna, the only Guru and the authority on all forms of Dance Art in Andhrapradesh.
Foreword
The richness manifest in the Cultural mosaic of India is a concomitant product of the Company’s unique receptive and assimilative attribute prevalent through ages. History chronicles successive episodes transforming the Country into a symbol of glory of the concept of unity in diversity. Multiplicity of races, regions, religions, languages, traditions and the like is indeed a boon, in that it operates as a potential instrument for profusion in all arts and allied spheres of creative activity. Underneath the kaleidoscopic plentitude lies the binding force of Indianness, which serves as the bedrock for the organic unity.
If we look at the panorama of Ind
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